Morning light over the Lasai glasshouse beds

We cook from a glasshouse beside the pass, picking at first light and plating that same evening.

Reserve a table
The glasshouse

We cook a few steps from where everything is grown.

Let the garden lead, and cook only what the morning gives. The kitchen wraps around a working greenhouse, so a cook can carry a crate from the beds to the pass before it has lost the cool of the morning.

Lasai grew out of a small glasshouse on a quiet hillside above Rio de Janeiro, planted long before there was ever a dining room. We learned to cook by watching what came up each week, and the kitchen still works that way. The beds are picked at first light, sorted at the pass, and turned into supper while the leaves are still cool from the morning. Nothing travels far here, and very little is left to wait overnight.

Through the year

The harvest writes the menu. We follow the beds, season by season.

Spring

Pea shoots and broad beans

The cold frames wake first. We cut tender shoots and shell the earliest beans for plates that taste of the thaw.

Summer

Tomatoes and stone fruit

The glasshouse runs hot and heavy. Vine tomatoes come in by the crate, and plums ripen against the south wall.

Autumn

Squash and late chillies

Heat lingers in the far beds. We let squash sweeten on the vine and string up the last of the chillies to dry.

Winter

Roots and bitter leaves

The kitchen leans on the cellar and the cold frame, roasting roots low and slow and dressing sharp winter greens.

All year

Herbs from the warm beds

Verbena, lovage and fennel never stop. They are cut to order, minutes before a plate leaves the pass.

Under glass

A morning in the beds, between the watering and the first crates carried in to the kitchen.

A corner of the Lasai glasshouse
A corner of the Lasai glasshouse
A corner of the Lasai glasshouse
A corner of the Lasai glasshouse
A corner of the Lasai glasshouse
A corner of the Lasai glasshouse
Light falling through the glasshouse over rows of green
Greenhouse light

Light does most of the work

From dawn the glass holds the warmth of the day and pours it over the beds. We let that light ripen everything slowly, then add only fire, salt and a little patience at the stove.

Warm glasshouse tomatoes

Warm glasshouse tomatoes

Picked at six, on the plate by seven, dressed in their own leaf oil.

Charred heart of cabbage

Charred heart of cabbage

A whole young head, cooked slow over the coals until it gives.

Peas in their pods

Peas in their pods

Steamed shut and opened at the table over cultured butter.

Ember roasted beetroot

Ember roasted beetroot

Buried in the embers, peeled at the pass, finished with aged honey.

Glasshouse herbs and curd

Glasshouse herbs and curd

Tender cuttings over curd set while still warm from the morning.

The room and the rows

Long rows of seedlings under a glass roof
A basket of just cut greens at the pass
A single roasted vegetable on a pale plate
A bright room set for the evening service
Hands settling a seedling into dark soil
Bundles of herbs hung in the window light
A kitchen that tastes of the garden it stands in.
Cuaderno Verde

Come and eat the morning, while it is still cool from the beds.